Original Image
From a RAW file I would use the “fill light” command in ACR to open shadows like this but here is a cool technique I think you’ll like.
Recently, I gave a presentation to the students at Chatham HS in New Jersey under the direction of Pat Lamorte. During the presentation we had a lighting setup on the stage and I had the pleasure of working with model Christina Cassar.
Setting up and presenting from their large stage and auditorium was fun and challenging but the primary point was showing the light… when demonstrating lighting the actual size of the large stage and auditorium made well for a rather contrasty ratio from Highlight to Shadow. The following is a technique to open shadows while keeping the highlights in tack.
This technique works great when you do not have access to the RAW file. To start out with we’ll create a shadow mask by creating a highlight mask (btw… Thanks to Katrin Eisman, Jimmy DiVitale, and Dan Bulkholder for revealing and re-revealing this kind of masking). Here are the steps…
STEP 1
Hold down these keys in this sequence:
Mac: Command + Option + Shift + 3
Windows: Control + Alt + Shift + 3
This will load the highlights in the image as an active selection.
Highlight Selection
STEP 2
Inverse this selection
>Select >Inverse
STEP 3
From the Layer’s Panel choose an adjustment layer using Exposure. Carefully change the Gamma slider to open the shadows(position cursor over the name “Gamma” to use Scrubby Slider for more control).

TIP: Using the Exposure control will allow you to open the shadows without having color issues (what I refer to as Color Crossover). Don’t over do this as it can generate a “digital look” if you open too much which is dependent on the shadow information that is originally in the image.
Final Image







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Fantastic tip, as always, Eddie.
One little adjunct to this would be to give yourself even MORE power to control the effect by simply pressing Cmd/Cntrl+i which will invert the Exposure’s (automatically generated) Layer Mask and then (using a soft, white, low-opacity brush) paint where and how much Exposure you want in the shadows. This also allows you to increase the exposure to a maximum level where the shadow is the darkest while allowing you to gently paint the level of exposure you want. It’s great for creating soft transitions between shadows and highlights and further helps to avoid that dreaded “digital” look.
Warmest regards,
Rocky Berlier
Thanks Rocky… Enjoyed your website and work…
Really splendid and useful post!! Great tips shared through this post. Thanks.
Regards,
image masking
Thanks Mike… Keep up the great work man… Eddie
Fantastic post and terrific blog Eddie. I’m excited to see your blog posts in the future.
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